Texts (Un)hinged and Unfolded: Fantastical Narratives and Unrelated Spaces

Evgenia Amey

Abstract


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Keywords


literary geographies; spatial hinge; Astrid Lindgren; The Elder Scrolls; Skyrim; literary tourism

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References


Amey, E. (2020) ‘On Mirkwood, Vampires and Rhododendrons: Experiencing Familiar Places through Fiction.’ Literary Geographies, 6(2), pp. 268-273.

Augé, M. (1995) Non-Places: Introduction to an Anthropology of Supermodernity. Translated by John Howe. London: Verso.

Hones, S. (2008) ‘Text as It Happens: Literary Geography.’ Geography Compass, 2(5), pp. 1301-1317.

Hones, S. (2022) ‘Interspatiality.’ Literary Geographies, 8(1), pp. 15-18.

The Elder Scrolls (1994–) Bethesda Game Studios. Bethesda Softworks.

The Elder Scrolls V: Skyrim (2011) Bethesda Game Studios. Bethesda Softworks. [PC]

The Imperial Library (n.d.) [Online] [Accessed 13 June 2023] https://www.imperial-library.info/

Thurgill, J. (2021) ‘Literary Geography and The Spatial Hinge.’ Literary Geographies, 7(2), pp. 152-156.

Thurgill, J. and Lovell, J. (2019) ‘Expanding Worlds: Place and Collaboration in (and after) the ‘Text-as-Spatial-Event’.’ Literary Geographies, 5(1), pp. 16-20.

Train to Busan, directed by Yeon Sang-ho (2016) South Korea: Next Entertainment World.

Watson, N. J. (2006) The Literary Tourist: Readers and Places in Romantic and Victorian Britain. New York: Palgrave Macmillan.


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