Methods of Walking and the Inscription of the Walk in Literary Creation:
Reflections from a Writing Project – A Creative Journal
Keywords:
creative writing, walking as a tool for literary investigation, spatial narrative, creative journal, writing the remembrance, cartographic surveying, virtual surveying, field writingAbstract
The rearrangement of fragmented land parcels to increase production and efficiency, a practice known as land consolidation (remembrement), was intensively implemented in France after the war and up until the 1980s, marking an important milestone in the history of many municipalities. How can we write a documentary account of place that takes these changes into consideration? How can we collect the traces left behind by this period? Can walking be a tool for literary investigation? Based on an ongoing creative writing experience, this article aims to document the implications of walking as part of the writing process, echoing and conversing with the literary works of Hélène Gaudy, Philippe Vasset, Patrick Varetz and Jean-Christophe Bailly. Within this context, walking is perceived as a multifaceted concept and will thus be approached as a plurality of methods, with a focus on surveying archives and writing in situ. Finally, beyond the usefulness of walking as an extra-textual writing method, this article revisits how the walk imposed its presence on the text, becoming inscribed into the spatial narrative itself.References
Bachelard, G. (1957; 2020) La poétique de l’espace [The Poetics of Space]. Paris: Presses Universitaires de France.
Bailly, J-C. (2001) Le dépaysement. Voyage en France [Dépaysement: Travels across France]. Paris : Seuil.
Baudry, C. (2025) Remembrements. Unpublished manuscript.
Brosseau, M. (2022) Tableau de la géographie littéraire. Pau : Presses Universitaires de Pau et des Pays de l’Adour.
Demanze, L. (2019) Un nouvel âge de l’enquête. Portraits de l’écrivain contemporain en enquêteur [A New Age of Investigation. Portraits of the Contemporary Writer as an Investigator]. Paris: Corti.
Gaudy, H. (2017) Grands lieux [Great places]. Nantes: Édition Joca seria.
Gervais, T. (2001) ‘Un basculement du regard. Les débuts de la photographie aérienne (1855-1914)’ [A Shift in Pespective. The origins of the aerial photograph (1855-1914)]. Études photographiques, 9, pp. 88-108.
Goux, J-P. (1999) La fabrique du continu [The Making of the Continuous]. Ceyzérieux : Champ Vallon.
Ingold, T. (2007) Lines: A Brief History. London: Routledge.
Marot, S. (2010) L’art de la mémoire, le territoire et l’architecture [The Art of Memory, Territory and Architecture]. Paris : Éditions de La Villette.
Solnit, R. (2000; 2014) Wanderlust: A History of Walking. London: Granta Books.
Varetz, P. (2018) Rougeville. Promenade élégiaque [Rougeville. An elegiac promenade]. Éditions La Contre Allée.
Vasset, P. (2007 Un livre blanc. Récit avec cartes [A Blank Book: Narrative with Maps]. Paris : Édition Fayard.
Downloads
Published
Issue
Section
License
Authors who publish with this journal agree to the following terms:- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).